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Goobalathaldin Dick Roughsey: A legend in art and story
Dick Roughsey is well known to many Australians for his vividly illustrated children’s books The Rainbow Serpent and The Giant Devil Dingo – Jennifer Isaacs explores his life and work and offers her...
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Autumn breezes fortified for an abundance of winters to come
QAGOMA conservators collaborated with specialist East Asian Art Conservator Jennifer Loubser to assess the conservation repairs necessary to stabilise an unusual 8-panel Japanese folding screen, Scenes...
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Margaret Olley: So much herself
Christine France offers her personal reflections on Margaret Olley’s life, work and her generous spirit. Visit the Gallery of Modern Art (GOMA) until 13 October 2019 to view the free exhibition...
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Margaret Olley: Her works reflect her personality perfectly
Renowned Australian artist William Robinson offers his personal reflections on Margaret Olley’s life, art practice, and his fond memories of visiting Olley in her home is Sydney, visit the Gallery of...
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Shirley Macnamara: Respect, balance and belonging
Indjalandji artist Shirley Macnamara weaves the Queensland desert landscape into the very fabric of her work, creating exquisite sculptural forms and vessels from spinifex and other natural materials....
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Ian Fairweather: Life lines
The QAGOMA Research Library holds a collection of letters, photographs and other memorabilia relating to the famously reclusive artist Ian Fairweather, who spent the last two decades of his life in a...
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The allure of the savage beauty of Belle-Île
In the late nineteenth and early twentieth centuries the fierce wildness and ‘savage beauty’ of Belle-Île, the small island off the coast of Quiberon in Brittany, France, exerted a powerful attraction...
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Accomplished and capable: Hilda Rix Nicholas ‘The fair musterer’
Dressed in jodhpurs, a short-sleeved shirt and riding boots, Hilda Rix Nicholas’s ‘fair musterer’ is ready for the day’s work. Her nonchalant pose is easy, confident and self-assured; it suggests that...
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Growing with the Queensland Art Gallery
Miriam Prystupa worked at the Queensland Art Gallery from its opening on South Bank in 1982 until 1999. However, she also has a more personal connection to the Gallery, her father Peter was appointed...
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Preserving culture through fashion and design
QAGOMA’s current Open Studio artist is designer, curator, mentor and business owner Grace Lillian Lee. Visit Lee at the Queensland Art Gallery (QAG) until 24 May 2020 as she shares her studio practice...
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Preserving Our Past: Conservation frames and furniture
QAGOMA’s well equipped frame studio is unique to any public art museum in Australia, producing all the gallery’s framing needs as well as carrying out conservation and restoration treatments. Go...
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Reflections of a Graduate Paper Conservator
As the Graduate Paper Conservation Intern, I have had the privilege of being fully immersed within the dynamic and exciting environment of the Conservation Department, made up of four specialty teams;...
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Dancing across the landscape is the spirit of the Plains
On the face of it, Sydney Long’s (1871-1955) Spirit of the Plains 1897 is an unusual painting to have emerged from the Antipodean colonies in the final years of the nineteenth century. Find out why and...
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Conserving Gordon Bennett’s diptych ‘Number three’
Unconventional types of damage require unconventional treatment strategies. This is certainly true for the collaborative major treatment QAGOMA’s paintings conservation team completed on Gordon...
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The Rave scene: Its connection to film and pop culture
Following on from the Rave film program that recently screened at the Australian Cinémathèque and in time for Record Store Day on 12 June, Brisbane-based musician and DJ, Phil Smart reflects on his...
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The jewellery of Selvaggia Sassetti (born 1470)
The coral of Selvaggia Sassetti’s necklace would not have travelled far from its once plentiful source in the Mediterranean sea. Precious red coral grows in a characteristic branching plant like form...
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European Masterpieces digitally enhanced
An exhibition of 65 artworks representing the achievements of the greatest painters in the Western tradition from one of the world’s leading art museums is undoubtedly a drawcard. Add to this The...
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The jewellery in The Fortune-Teller c.1630s
European jewellery of the Renaissance was colourful, opulent and intricate. It was also widely popular, as the portraiture of this time shows the often extraordinary amount a wealthy man or woman might...
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Art as diplomacy in the Asia Pacific region
An ongoing aim in Australian diplomacy is to deepen the nation’s engagement with the dynamism and diversity of the Asia Pacific region. Through cultural exchanges like the Asia Pacific Triennial of...
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The ACE Project: Making space/s
For artists and arts workers, meaningful community engagement requires a long-term commitment to learning, write ACE Project team members Moale James and Osanna Fa’ata’ape, who here explore the ‘The...
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